A New Direction

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It’s a long time since I posted on this blog. I’ve been using other means—a very sporadic newsletter, occasional Substack posts, and Facebook—to keep in touch with my readers. Over the coming months, I’ll be making a concerted effort to make my communication with you more focused, frequent, and consistent, but I expect to be using Substack as my primary means of reaching out. Please find me there at https://katherinebolgerhyde.substack.com/.

The last couple of years have seen big changes in my life on all levels—personal, professional, and writing. My husband retired and had heart surgery. We moved from our long-time home in California to Vancouver, Washington, to conserve our limited resources and to be near our daughters and four (soon to be five!) grandchildren. I retired after thirty years as an editor with Ancient Faith Publishing, though I’m still doing freelance editing and coaching part-time.

My writing/publishing life has also seen big changes. After two standalones and six volumes of Crime with the Classics, Severn House decided my sales numbers did not justify their doing any more of my books. And Ancient Faith, which had brought out my novel THE VESTIBULE OF HEAVEN as well as several children’s books, concluded that adult fiction in general wasn’t working for them. Suddenly my unpublished novels were poor little orphans left begging in the snow, with no one to take them in.

So I’m currently testing out a couple of new publishing directions. My previously published YA fantasy, THE DOME-SINGER OF FALENDA, is part of a successful Kickstarter run by Wood between the Worlds Press and will soon be reissued with a new cover and a new hardcover edition. I’m planning to publish the final volume of Crime with the Classics, JUSTICE WITH JAMES, through a Kickstarter of my own (stay tuned!). And the other orphaned novel, THE GHOSTWRITER, has been picked up by Chrism Press and is due to come out in August 2026. A recently completed novel, THE THIN PLACE, is waiting in the wings to see which of these new publishing avenues will be best for it.

In a sense, I’m going in new directions in terms of content as well. Or it might be more accurate to say that I’m returning to the direction of my early work, before I started writing Crime with the Classics: faith-based fiction. THE VESTIBULE OF HEAVEN, THE DOME-SINGER OF FALENDA, and THE GHOSTWRITER were all written before I first tried my hand at mystery, and all three embody my Orthodox faith in more explicit ways than the series does. THE THIN PLACE returns to those roots. The new historical mystery series I’m just beginning to write incorporates the faith element—integral to the society of 14th-century England—in the genre that’s built my career so far. I hope it will appeal to lovers of sacramental fiction as well as to mystery fans.

Don’t be alarmed when I speak of faith-based fiction. This is not the squeaky-clean, in-your-face type of “Christian fiction” that may have left a bad taste in your mouth if you’ve ever tried it, but fiction that faces the real world head-on and insists that it can be redeemed. That goodness is still relevant. That truth can be upheld. That beauty can be found.

This is the direction you can expect to find in everything that comes from my pen in the years to come. It may take the form of YA fantasy, contemporary fiction, historical mystery, or who-knows-what-else, but at the back of it will always be the fundamental assertion that Beauty will save the world.

I hope you, my loyal readers, will follow me in my various new directions. Your input is always welcome. Godspeed to you all, and happy reading!

Crossing the Pond

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If you know me at all or have read my books, you’ve probably guessed I’m an anglophile. And a pretty rabid one, at that. In my view, the Brits do almost everything better, from TV to accents to cottages to cheese. A glance at my book and DVD collections reveals that my content consumption is heavily weighted toward the UK, so it’s no surprise that, as one friend recently commented, I write with a British accent.

So when my agent, Kimberley Cameron, suggested shopping my orphaned series to a British publisher, I was intrigued. I looked up Severn House online and discovered that they publish in both the UK and the US and market their books to the entire English-speaking world. They actually specialize in picking up orphaned series and mid-list authors—neither of which most US publishers will touch. They’ve been around for over forty years and have more than 600 titles in print, so this is no tiny fly-by-night press. I started to get excited.

Kimberly had me put together a package including the full manuscript of Cyanide with Christie (third volume in the Crime with the Classics series), descriptions of the first two books, and the first chapter and synopsis of the proposed fourth. Within a week of sending this package to Severn, she received an enthusiastic response. They were interested provided I could tighten up the mystery a bit. At this point my response ratcheted up to thrilled.

I did the requested revisions quickly and sent them off, and within another week we had an offer. A wee bit of tweaking and we were ready to proceed to contract. And before that week was out, I had the contract in my inbox. (Contrast this with four months from offer to contract in the case of my original publisher.) Cyanide with Christie is planned to release in November 2018 and Death with Dostoevsky about a year after that. (Contrast this with two years from contract to first book published and 17 months between books 1 and 2.) Now you can color me ECSTATIC.

The contract is signed and in the mail. I look forward to working with a publisher that is responsive, fast, enthusiastic, unafraid of highbrow subject matter (e.g. Dostoevsky), and committed to making my books the best they can be. The fact that Severn House is located in London—and I may have an excuse to visit their offices one day—is pure gravy. Or, shall we say, hard sauce on the plum pudding.

Cheers, mate! I’m crossing the pond!

Birth of a Mystery Writer

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arsenic with austenOnce upon a time, a young Russian literature graduate wanted something a little lighter than War and Peace to read. (Seriously, that volume weighs a ton.) So a friend handed her a copy of Whose Body? by Dorothy L. Sayers, and a lifelong love affair with detective fiction was born. After devouring Sayers’ entire oeuvre, our reader moved on to Margery Allingham, Ngaio Marsh, Patricia Wentworth, and even a few writers who were neither dead nor British.

Years later, our reader set the demands of work and family to one side and began to fulfill her childhood dream of writing fiction. After fumbling around in a variety of genres, she said to herself one day, “Self, you love reading mysteries. So why not try writing one?”

And because that reader still loved her classics—in English as well as in Russian—she found a way to write about them while also writing a mystery. She threw in some other loves—old houses, fictional small towns with casts of eccentric characters, and second chances at romance—and the Crime with the Classics series was born.

As a result of a little luck and a lot of previous hard work, the series was picked up almost immediately by agent Kimberley Cameron and then by editor Marcia Markland of Thomas Dunne/Minotaur Books. And so our author became a ten-year overnight success story. But will Arsenic with Austen truly succeed? Only you, the reader, know for sure!